An airy, dream-forward travel magazine that treats “in-between” places like destinations. I built a surreal yet editorial look by pairing crisp, readable body type with generous negative space, hairline “threshold” keylines, and a single Aurora-Indigo accent that threads through titles, folios, and small glyphs. The photo direction leans into soft bloom, long-exposure water, bioluminescent night scenes, and shallow-focus portraits—grounded realism with a hint of the impossible—so the spreads feel weightless without losing credibility. Headlines float; drop caps and indigo rules guide the eye like wayfinding lights. Feature stories (Noon City, the name-taking ferry, cloud-spine hostels) are staged as cinematic openers with calm margins for breath, then tighten into annotated field notes and interviews. The result is a cohesive, surreal travel experience that’s print-ready, accessible, and aligned with fantasy-adjacent brands: inviting enough for a casual reader, layered enough for world-builders and storytellers
